Art as a Vehicle to Religious Education Enugu State (A Case Study Of Ezeagu L. G. A)

Project and Seminar Material for Fine Arts

Art as a Vehicle to Religious Education Enugu State (A Case Study Of Ezeagu L. G. A)


Ezeagu is among the tribe that produces art in Enugu State. Most of them are now Christanions, yet the old traditions still have a powerful influence in the life of Ezeagu people. It is better for one to trace the history of his people and pass it on to the younger ones.

The Art of Ezeagu people suffered much humiliation and neglect at the advent of western civilization. The effect was felt more on the sculpture which comprised carving and molding. Such an event will deny generations to come the knowledge and pleasure of seeing what their for-fathers and fathers did in the past.

Traditional Ezeagu Artist creats some or his art mainly as instruments by which to make contact with supernatural forces which help him to over-come the danger of their environment. These art objects being created are ritual pots, birds, plants, carved doors and images, ofor, masks, mound, paintings for religious worship. Some of these art works could be found in village squares, shrines or altars,, evil forest, hands of individual persons. For instances, “ofor” is handy and is seen on the hand of any man who calls himself a father in the traditional religious group.

The produces of these works are traditional artists, priests and medium men. Some of these works when completed are used as very powerful oaths. In modern churches, there are art objects and their uses,, for instance, in the catholic and protestant churches.

My finding revealed the role of art in traditional religion, identification of tools and materials used in the production of art pieces, and its utility.

In carrying this investigation, traditional artists were interviewed and their works examined. Traditional religious priests, common men were also interviewed. The rest of the information was obtained from books, journals, magazines, archives and libraries.

At the end of this discussion, one should be able to know the importance of Art in Religious education in Ezeagu Local Government Area.

Chapter One

Back Ground Of Study

Geographical Location:

Ezeagu is located some twenty kilometers south west of Enugu, the Enugu State capital of Nigeria. Bounded on the north by Uzo- uwani Local Government of Anambra State and on the east and south by parts of Udi L.G. A., then on the west by Awka- North L.G.A. The entire area is liberally watered by the River Ajali, which is the factor upon which the Greater Ajali Water scheme of the Enugu capital Territory is derived. Occupying a land area of over 630 kin, the greater part of its geographical area is low-lying with savannah – like vegetation. It has an estimated population of about 200,000 based on the 1991 census.


Ezeagu teases her ancestry to an itinerant farmer and hunter who settled at Imezi Owa. The man known and called Owo or Ezeagu, (literally, “King of the farm”) was the name he earned following his unprecedented success in the cultivation of the land and hunt for game Eze meaning King and Agu meaning wilderness.

The man Ezeagu married Mgboli who fore him three sons, who were, in order of with, Owa, Oghe and Oghu. He later married a second wife Udeagu from Nkanu, by whom he got a son, Umana alias An a on Naa, who became Ezeagu’s seoond son in Oadea of birth. Umana got two sons oblelagu and Awo (Umana Ndiuno, Umana Ndiagu and umana Agba). The Umana extraction often referred to as the umana neli has ten villages with obeleagu having six and Awo had two sons, Obunofia and umumba. Today, all boona fide descendants of Ezeagu owe their direct ancestry to Owo alias Ezeagu and his fore children who later spread out to the four corness of the clan to found new homes for themselves. Grand any great grand children soon followed and these were to be the soot of the many antonymous communities which today answer the collective name of Ezeagu clan.

The Olo and Oha guoups (called Umudiaba) Later immigrated from the west and settled on the western slope beside the clan following inter-marriages, social and cultural interactious with the Ezeagu people, these immigrants acculturates and gradually melted into the Ezeagu complex.

Occupation And Culture Of Ezeagu People:

Ezeagu is endowed with a which cultural traditional festivals and dances announce the arrival and depurative of traditional festivals of the various seasons of the years. The people are predominantly farmers, cassava on the low – lying plins the liver banks.

The swampy tegions of Olo and Mgbago-Owa areas have been identified as suitable for since cultivation, and the Enugu State. Government ministry of Agriculture is already making experiment on cooperative large scale since farming there.

Ezeagu has, traditional festivals amongst others like Ogugo – chi, Akanu, Ibono – okochi, Ibono Udu – Mii, Mgba une n’ une, Mgba Ogwu and Atiliogwu. Successful farmers also take titles of Ozo and Ekwu dosing specific periods of the year. The influence of Christianity in Ezeagu has brought a lot of change in the people’s life. Fanatics have found the spread of Christianity of destroy one cultural identity and should approach this with caution because no nation ever survived without cultural identity.

Art as a Vehicle to Religious Education Enugu State (A Case Study Of Ezeagu L. G. A)

Project Material Download

3,000 Naira

The complete material will be sent to you in just 2 steps.

Quick & Simple…

Step One Purchase

Make payment of ₦3,000: through USSD Transfer, Bank Mobile App, ATM Transfer, or POS Transfer to:

Access Bank PlcAccount No.: 0811003731
Name: Samphina Academy
Account Type: Current

Or Click Here to pay with Debit Card

Click Here to pay with Debit Card ($15)
GHANA – Make Payment of 60 GHS to MTN MoMo, 0553978005, Douglas Osabutey 


Step Two Purchase

Send the following details through Text Message or WhatsApp Messenger | +234-8143831497

  • Payment Details 
  • Email Address 
  • Art as a Vehicle to Religious Education Enugu State (A Case Study Of Ezeagu L. G. A)

The complete material will be sent to your email address after receiving your payment information | T & C Apply

  Contact Our Help Desk

You may also like:

⚠️ Need a different topic? Perform a quick search

Get A Complete Business Plan For Any Business In Nigeria

Business Plan for Businesses in Nigeria

  Business Plans in Nigeria

Art as a Vehicle to Religious Education Enugu State (A Case Study Of Ezeagu L. G. A)


This research material “Art as a Vehicle to Religious Education Enugu State (A Case Study Of Ezeagu L. G. A)” is for research purposes and should be used as a guide in developing your research project / seminar work. For no reason should you copy word for word (verbatim) as will not be liable for any who copied the material.

The aim of providing this material is to reduce the stress of moving from one school library to another all in the name of searching for research materials. This service is legal because, all institutions permit their students to read previous projects, books, articles or papers while developing their own works. According to Austin Kleon “All creative work builds on what came before”. is only providing this material “Art as a Vehicle to Religious Education Enugu State (A Case Study Of Ezeagu L. G. A)” as a reference for your research. The paper should be used as a guide or framework for your own paper. The contents of this paper should be able to help you in generating new ideas and thoughts for your own research. Use it as a guidance purpose only.

How to defend your research work

This is a general guide on how to defend your research work:

1. Prepare For Questions:

If you are preparing for questions that may be asked during your defense, then your answers will flow smoothly and effectively. This will prove your knowledge on the subject e.g “Art as a Vehicle to Religious Education Enugu State (A Case Study Of Ezeagu L. G. A)“, and strengthening your argument. Ask friends and family, read your work for them to listen to your presentation, and write down questions. You may be lucky the panel will ask you those you have already prepared on.

2. Strong Summary:

Summarizing your chapters will help keep your audience focused because it is easy for a mind to drift, so providing summaries will ensure your panel will follow along, even if they lose focus for a brief moment. Visual aides, such as graphs and power-point presentations can be very helpful. If you are going to use these, make sure you will practice your presentation with them.

3. Be Confident in Your Research Work:

Not knowing your topic “Art as a Vehicle to Religious Education Enugu State (A Case Study Of Ezeagu L. G. A)” inside out will cause you to struggle and ultimately fail with your defense. You need to know the subject from every angle to ensure you are fully prepared for any question that may come your way.

4. Conclusion:

Reinforce your findings to conclude your defense. The finale of your presentation should focus on proving the work that has been done. You may need to recap on what has changed and remained unchanged, if is necessary.

5 . Listen:

Before you get defensive or recite a particular answer, make sure you truly understand the question being asked. Being a good listener is an important quality, because providing an inaccurate or off-topic answer will also weaken the validity of your paper.

Samphina Academy

Samphina Academy is an Online Educational Resource Center that is aimed at providing students with quality information and materials to aid them in succeeding in their academic pursuit.